Continuing our 50-year old tradition, the Orchestra and Chorus of Emmanuel Music presents Bach’s astounding human document, in the liturgical setting for which it was intended, as well as other sacred works.
Prelude motet: Prayer [Was frag ich nach der Welt/Hine Ma Tov Umanayim] Marti Epstein (b. 1959) Was frag ich nach der Welt, BWV 94 J.S.Bach (1685-1750) soloists:Carley DeFranco, soprano; Katherine Maysek, alto; Omar Najmi, tenor; WillPrapestis, bass; Vanessa Holroyd, flute; Peggy Pearson, oboe d’amore Prelude motet: Fadensonnen JohnHarbison (b. 1938) Nimm von uns, Herr, du treuer Gott, BWV 101 Bach soloists: Corrine Byrne and Sonja Tengblad, sopranos; Carrie Cheron, alto; Matthew Anderson and Charles Blandy, tenor; Andrew Padgett, bass; Heidi Braun-Hill, violin; Vanessa Holroyd, flute; Jennifer Slowik, English horn Prelude motet: Your Healing Word ElenaRuehr (b. 1963) Herr Jesu Christ, du höchstes Gut, BWV 113 Bach soloists:Susan Consoli, soprano; Clare McNamara, alto; Jonas Budris, tenor; DavidMcFerrin, bass; VanessaHolroyd, flute; Peggy Pearson & Catherine Weinfield-Zell, oboe d’amore
Prelude motet: Let the Music be HeardErrollyn Wallen (b.1958) Lobe den Herren, den mächtigen König der Ehren, BWV 137 Bach soloists: Kristen Watson, soprano; Krista River, alto; Jonas Budris, tenor; Dana Whiteside, bass; Heidi Braun-Hill, violin; Peggy Pearson & Jennifer Slowik, oboe d’amore; Terry Everson, trumpet The Orchestra and Chorus of Emmanuel Music, RyanTurner, conductor
Emmanuel Music went to Leipzig! We were deeply honored to have been invited to participate in this global celebration of Bach, and wish we could take all our Boston friends with us. Before we headed to Bachfest in Germany, we shared the experience of Bachfest — with some added benefits — for our local audience. We presented our program of four Bach cantatas, accompanied by newly commissioned motets inspired by each of the Bach works. Emmanuel Music continues our mission of serving as a living laboratory of Bach, both at home and abroad.
Ryan Turner, conductor Evangelist Jonas Budris, tenor Jesus David McFerrin, bass St. Paul's Choir School
Aria Soloists: Part I Part II Clare McNamara, alto Elizabeth Eschen, alto Janet Ross, soprano Omar Najmi, tenor Kristen Watson, soprano Carrie Cheron, alto Charles Blandy, tenor David Kravitz, bass Andrew Padgett, bass CarleyDeFranco, soprano Susan Consoli, soprano Katherine Maysek, alto Deborah Rentz-Moore, alto Will Prapestis,bass Krista River, alto Dana Whiteside, bass Emmanuel Music presents Bach’s towering masterpiece, considered by some to be the greatest achievement in Western music: the St. Matthew Passion, BWV 244. Profoundly beautiful, dramatic, and compelling, the St. Matthew Passion expresses our human condition and our capacity for hate, love, and transcendence like no other work.
Ryan Turner, conductor with Cambridge Common Voices and Boston Children's Chorus Britten St. Nicolas Woodyas though on snow Bach Sie werden aus Saba alle kommen, BWV 65
Charles Blandy, tenor (Nicolas) Jonas Budris, tenor David Tinervia, bass
Continuing our 50-year old tradition, the Orchestra and Chorus of Emmanuel Music presents Bach’s astounding human document, in the liturgical setting for which it was intended, as well as other sacred works.
Emmanuel Music partners with Urbanity Dance, and critically acclaimed choreographer,Shura Baryshnikov, for an exploration on the wilder boundaries of the theme of love. Esteemed soloists Carley DeFranco, soprano; Krista River, mezzo; William Hite, tenor; and Clark Matthews, horn; and the orchestra of Emmanuel Music will perform three cantata-inspired works of Britten — Phaedra, Serenade, and Les Illuminations. This unique performance will guide you from the heights of Greek melodrama to the libertine Bacchanalias of Arthur Rimbaud, in an expression of the everlasting theme of intemperate and unrestrained love.
J. S. Bach’s radiant Christmas Oratorio has become a holiday favorite at Emmanuel Music. The six cantatas that comprise this work fully set the festival mood for the Christmas season. Bach engages us with exquisite pastoral soundscapes, profound arias and chorales, and dazzling choruses with trumpets and drums.
Ryan Turner, conductor Emmanuel Music opens its 53rd season with a program devoted to the theme of unity and neighborly love.
This Love Between Us is a piece about unity. Its seven movements juxtapose the words of seven major religious traditions of India (Buddhism, Sikhism, Christianity, Zoroastrianism, Hinduism, Jainism and Islam), and specifically how each of these traditions approaches the topic of unity, of brotherhood, of being kind to one another. The texts come either straight from canonical religious writings or from poets who write through the lens of their religion. Each text is itself a union: it is set simultaneously in English and in its original language (with the exception of the Christian text, where the Malayalam is a translation), so you can hear the beauty of the original and grasp its meaning through translation. Each movement also contains a unique combination of Indian and Western classical styles, running the continuum from the Christian movement, which is rooted firmly in a baroque style, to the Zoroastrian movement, which is a Hindustani vilambit bandish. Each of the other movements live somewhere in between these two musical cultures in their techniques, styles and forms. But even more than uniting musical practices, this piece unites people from two different musical traditions: a sitar and tabla join the choir and baroque orchestra. Each of the musicians is asked to keep one hand firmly rooted in their own tradition and training, while reaching the other hand outward to greet another musical culture. Inspired by Reena Esmail's cantata, This Love Between Us, Artistic Director Ryan Turner and Bach Institute Director Pamela Dellal turned to the vast collection of Bach’s sacred cantatas for music on the common theme of charity, universal love, and compassion. Given that no single cantata captured the breadth of Bach’s meditations on the subject, O große Lieb combines movements from disparate pieces, integrated into a 'composite cantata.'
We offer you this evening a new way to hear Bach: while these specific movements were not intended to be juxtaposed, the composer's spirit still radiates through them. In a manner of speaking, we have asked for wisdom on charity and love, and Bach responds with these selections from his cantatas. Out of these a new cantata is woven that expresses this message.
Continuing our 50-year old tradition, the Orchestra and Chorus of Emmanuel Music presents Bach’s astounding human document, in the liturgical setting for which it was intended, as well as other sacred works.
Bach Keyboard Concerto in g minor, BWV 1058 Bach Keyboard Concerto in E Major, BWV 1053 Philip Lasser, arr. Erbarm dich mein, O Herre Gott, BWV 721 Jennifer Higdon Dance Card
Simone Dinnerstein brings her renowned, transportive interpretations of Bach to Emmanuel Music in her debut performance. This captivating program blends Bach with selections by contemporary composers Philip Lasser and Jennifer Higdon.
Bach Christen ätzet diese Tag, BWV 63, J. S. Bach Kristen Watson, soprano | Krista River, alto | Jonas Budris, tenor | David Tinervia, bass Magnificat, BWV 243a, J. S. Bach Corrine Byrne, Carley DeFranco, Samantha Dotterweich, & Janet Ross, soprano | Elizabeth Eschen, Margaret Lias, & Krista River, alto } Matthew Anderson, & Charles Blandy, tenor | Will Prapestis, & Dana Whiteside, bass
Ryan Turner, conductor
Folktales & Myths
Saturday, October 23, 2021 at 8.00pm & Sunday, October 24 at 3.00pm
Emmanuel Church
Our yearly Chamber Music Festival takes on the enchanting theme of Folk Tales & Myths, exploring storytelling through classical music. Featuring compositions by living composers Gabriela Lena Frank, Julian Grant, and John Harbison along with pieces by Bach, this two day chamber festival continues the long tradition of using music as a tool for passing down myths and folk tales throughout time.
Canticle V: The Death of Saint Narcissus for tenor and harp, Op. 89 Jonas Budris, tenor | Krysten Keches, harp
Suite for Violin and Piano, Op. 6 Rose Drucker, violin | Donald Berman, piano
Canticle IV: Journey for the Magi for countertenor, tenor, baritone, and piano, Op. 86 Doug Dodson, countertenor | Charles Blandy, tenor | David Tinervia, baritone | Brett Hodgdon, piano
Songs from the Chinese for soprano and guitar, Op. 58 Kristen Watson, soprano | Zaira Meneses, guitar
Britten Chamber Music Festival
Sunday, December 19, 2020 at 8.00pm
Emmanuel Church
Canticle I: My beloved is mine for tenor and piano, Op. 40 Jonas Budris, tenor | Donald Berman, piano Cello Sonata in C Major Rhonda Rider, cello | Judith Gordon, piano
Folk Songs of the British Isles David Tinervia, baritone | Brett Hodgdon, piano
Britten Chamber Music Festival
Sunday, December 20, 2020 at 8.00pm
Emmanuel Church
Canticle III: Still falls the rain for tenor, horn, and piano, Op. 55 Charles Blandy, tenor | Clark Matthews, horn | Brett Hodgdon, piano
Holiday Diary, Suite for Piano, Op. 5 Donald Berman, piano
Canticle II: Abraham and Isaac for alto, tenor, and piano, Op. 51 Deborah Rentz-Moore, alto | Ryan Turner, tenor | Brett Hodgdon, piano
Phantasy Quartet for oboe, violin, viola, and cello, Op. 2 Jennifer Slowik, oboe | Sarah Atwood, violin | Mark Berger, viola | Rafael Popper-Keizer, cello
Emmanuel Music Presents the Arneis Quartet
Friday, November 7, 2020 at 8.00 pm
Emmanuel Church
Fugue in E-flat from "The Well Tempered Clavier," J. S. Bach String Quartet No. 1, Op. 8, K. Weill Forged Sanctuaries, J. B. Holland Three Divertimenti, B. Britten Strum, J. Montgomery Fuge in E-flat from "The Well Tempered Clavier," J. S. Bach, arr. W. A. Mozart
Heather Braun-Bakken, violin | Rose Drucker, violin | Daniel Doña, viola | Agnes Kim, cello
Eric Christopher Perry, Ethan DePuy, Kilian Mooney, tenor Peter Schilling, Will Prapestis, Brian Church, baritone Benjamin Pfeil, Anthony Burkes Garza, bass Thomas Dawkins, piano
Bach Mass in B minor
Saturday, October 26, 2019 at 8:00pm
Emmanuel Church
Susan Consoli, Carley DeFranco, Samantha Dotterweich, Jessica Petrus, soprano Carrie Cheron, Margaret Lias, Deborah Rentz-Moore, Krista River, alto Charles Blandy, Eric Finbarr Carey, tenor David Kravitz, Will Prapestis, bass Ryan Turner, conductor